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20.07.16: TBA21

Atopia


Migration, Heritage and Placelessness
Works from the Thyssen-Bornemisza Art Contemporary Collection

Centro Cultural Metropolitano, Quito, Ecuador
August 10 – September 29, 2016

 

Atopia. Migration, Heritage and Placelessness is an exhibition developed by Thyssen-Bornemisza Art Contemporary, Vienna, drawing from the foundation’s collection of contemporary art. It proposes the use of the concept of the “atopic” to challenge the orthodoxy of space and site and to freshly engage with a discoursive body of research that has long been determined by the notions of center/ off-center/ the local/ marginal/ the periphery–between what James Clifford calls localism and worldliness.

Atopia, a word mainly used in medicine and philosophy, literally means placelessness, out of place, unclassifiable and of high originality. It is, in its traditional use, at the same time, a category of otherness, difference, expulsion and exclusion, as it is a reference to the ineffable, the pristine, and the absolute. It is in this double connotation, in which the term becomes a productive figure for thinking in addressing the various ways in which artists have dealt with ideas of place, geography, migration, heritage, translation, the crossing of national, social, and cultural borders. The atopic is here but not here, it is a position which denies location, perhaps an attitude or gesture that relates to an “original” cultural or social experience but at the same time diffuses it or remains at distance.

The exhibition looks at the countersides of the processes of aggregation and homogenization and addresses the ways in which a collection of 21st century art is constructed around the various experiences of difference, in which individuals and collectives participate in different cultural processes and realities. It therefore pivots around the specific systems and methods of exchange, translation, and its embedded critiques. A wide ranging production of visual and spatial works catalyze the reexamination of the agency of the artist in the production of such locational inquiries. It also implies strategies for re-claiming certain histories and place-specificities by way of reasserting territorial representations. The way “localism” is understood in this particular context is not as a reaffirmation of common simplifications but is instead based on productive inquiries and internalization of paradoxes and transitions, which evade categorizations or nostalgic impulses. It also shows how shifting political and economic realities have created new tales of places, and how their histories have sparked the impulse to document the rapid processes of transformation set into motion by new “continental shifts”.

 

Presskit – Atopia



Photo: Francesca von Habsburg, 2014

Abraham Cruzvillegas Autorretrato fronterizo y chispeante abrazando el retrato de Gilberto Bosques, escuchando pirekuas y tragando esquites afuera de la cathedral, 2014 Photo: Francesca von Habsburg, 2014

Photo: Sebastián Cruz Roldán & Santiago Pinol, 2016

Installation view: Atopia. Migration, Heritage and Placelessness Works from the TBA21 Collection, Museo de Arte Moderno Bogota, Colombia Photo: Sebastián Cruz Roldán & Santiago Pinol, 2016

Film still: courtesy the artist

Jonathas de Andrade I The Uprising, 2012, Film still: courtesy the artist

Photo: Sebastián Cruz Roldán & Santiago Pinol, 2016

Do Ho Suh I Staircase-V, 2008 Works from the TBA21 Collection, Museo de Arte Moderno Bogota, Colombia Photo: Sebastián Cruz Roldán & Santiago Pinol, 2016

Photo: Sebastián Cruz Roldán & Santiago Pinol, 2016

Installation view: Atopia. Migration, Heritage and Placelessness Works from the TBA21 Collection, Museo de Arte Moderno Bogota, Colombia Photo: Sebastián Cruz Roldán & Santiago Pinol, 2016